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Peace through superior firepower |
Yeah, there are these new things called "learning" and "American History". Brand new stuff to the dolts that populate this country. "Hey, did you know that there were two world wars? Yeah, uhh 1776 and 1861, and Lee Harvey Oswald shot John Wilkes Boothe. And Hitler." | |||
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Member |
I’m grateful for things that push people towards an interest in learning and history. I don’t blame them entirely, I blame the people who never exposed them to a classical education. | |||
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Member |
Was in line at a coffee shop with a friend in San Francisco today. The two guys behind us had seen the movie was 'discussing' how the Manhattan Project and the US were war criminals for dropping the Bomb. My friend who's Chinese (born here) turns around and tells them, 'Have you asked anyone in the Philippines, Korea or, any other non-Japanese Asian country if those people involved with making the Bomb, are war criminals?' 'oh no? maybe you should learn some history before attempting to moralize if it was right or, wrong.' The looks he got were amazing, they turned-around and left. | |||
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Freethinker |
An excellent favorable review of the movie by Richard Rhodes, author of The Making of the Atomic Bomb and Dark Sun: The Making of the Hydrogen Bomb (both excellent as well, and highly recommended for those interested). https://www.nature.com/article...-44e993b6cb-43423637 ► 6.4/93.6 | |||
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Member |
^^^^^^^^^^^^^^^ Not surprising that most young Americans do not know history. Estimate in 1945 was between 1.7 and 4 million casualties if America were to invade Japan. | |||
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Member |
I’ve read the Richard Rhodes book twice. IMHO, it’s that good. May read it again now that I’ve seen Oppenheimer. ___________________ Company, villainous company hath been the spoil of me. | |||
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Don't Panic |
Saw it Wednesday, and enjoyed it. I would think anyone with an interest in the subject matter would find it worthwhile. The time-shifting thing took a while to figure out, knowing a bit about the history helped but eventually the cues (color/bw/setting) worked. The 'Barbenheimer' thing is silly and has nothing to do with the actual viewing experience of this movie. What I think is going on is that the two movies appeal to two quite distinct audiences - in other words, they're not competing for the same audience - and so the heavy marketing of both is complementary. And that seems to be working - I have to say that this is the first time in a long while that parking near the theater was very hard to find on a Wednesday evening. | |||
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I swear I had something for this |
And with "Barbenheimer," you can see both movies on large format screens. Barbie is on Dolby Digital while Oppenheimer is on IMAX when normally 1 movie would monopolize every large format screen. I do have to feel bad for Tom Cruise and MI 7 who saved theaters with Top Gun Maverick only to have his newest movie 1 week and done on IMAX/Dolby Cinema. Since others have mentioned documentaries, the best one for Nuclear Testing is Trinity And Beyond: The Atomic Bomb Movie (which I have to use the full title now because of some trashy Tik Tok channel) narrated by William Shatner, won a technical Oscar for the process used to restore the declassified nuclear bomb footage, and has an interview with Dr. Edward Teller. Very much worth watching. | |||
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I swear I had something for this |
Something else cool I got in my news feed is that a writer at Forbes did an interview with Edward Teller back in 1999. It's kind of facinating. https://www.forbes.com/sites/j...ore/?sh=3f0a85934889 Forbes gives you 4 free articles a month, so here's the whole thing:
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Member |
B&W didn't signify the time-frame. Those were the scenes from Strauss's perspective. Some of the same scenes (ex: final scene) were shown at different points of the movie in BOTH color AND black and white. That was to show his perspective (B&W) and everyone else's/Oppenheimer's perspective (color). | |||
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Member |
Both Oppenheimer and Teller had massive egos. Both knew they were smart, brilliant leaders in their fields, unfortunately, their personalities and opinions rubbed people raw. As to how it pertains to the events in this movie & real life, Teller's bullish positions and inflexibility put him into a position to expose Oppenheimer as someone with sympathies or, associations that looked like sympathies, resulting in Oppenheimer getting his security revoked and Teller being socially ostracized by the scientific community. Oppenheimer didn't do himself any favors by his associations, his dalliances and idiosyncrasies and Teller's ambitions, despite his own achievements, made him loose many friends. If anything, a movie about their relationship would be a more compelling story. | |||
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It's pronounced just the way it's spelled |
Saw it last Sunday, it was a good movie, if a little hard to follow the jumping around in time. I agree that they should have used films of actual nuclear tests, maybe digitized them and integrated them into the test scene. There was a couple of things left out that I would have put into the movie, but they only had three hours. Oppenheimer losing his security clearance was a political hatchet job, as illustrated in the movie. He could have told any of our enemies how to make an atomic bomb just from his knowledge as the Manhattan project manager. And probably how to make an H bomb from his work on stellar physics. I never met Teller, but I know people who did, and the impression I got from them was he always thought he was the smartest person in the room, which considering who he worked with illustrated his massive ego. | |||
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thin skin can't win |
Somehow, those go together! You only have integrity once. - imprezaguy02 | |||
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Lost |
Finally able to see it. I liked it. The unpeeling of B&W vs. color, flash-backs vs. flash-presents is initially disconcerting, but somehow cohesive as you get closer to the pivotal Trinity test scene. By then you're heavily invested in the character (Oppy), and it's a more or less smooth ride as the movie negotiates the political and moral aftermath (read: witch hunt) of the bombing. Solid acting all around, though I would have liked the portrayal of the main character as a little more on the unbalanced psycho side. Maybe that's just me. Pre-knowledge of any of the history and/or science was frequently rewarded in small vignettes, and I found myself saying, "Oh, this must be the scene where...". Have absolutely no idea how this could be interpreted as any kind of "horror" movie. Makes me wonder how the general public will receive the new Exorcist movie. Also not woke at all. (As an aside, this was an expensive movie for me. Not the admission price, the fact that it was a 3-hour movie and I got a $45 ticket for over-time parking, which I knew was unavoidable but wanted to see the damn movie.) Speaking of, this didn't feel like a 3 hour movie to me, more like two 90-minute movies back to back.This message has been edited. Last edited by: kkina, | |||
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Member |
Watched it today. IMAX at 1500 showing. Theater was probably 80% full. I’m a fan of Christopher Nolan’s films and this did not disappoint. So many Major and minor actors present that did such a good job in their parts. It was fun to see Josh Hartnett, Gary Oldman, Casey Affleck, Rami Malek, James Remar and others. I just watched Blackhawk Down for the 20th time the other night and thought, I hadn’t seen Hartnett in anything recently. Lots of other actors I recognized from other Nolan films. I thought Cillian Murphy’s portrayal as Oppenheimer was incredible. I’ve got a major crush on Emily Blunt and thought she was amazing as his wife. Robert Downey Jr, was fantastic as was Matt Damon. I thought the film was put together really well, I thought the transition from black and white to color was necessary, added a certain something to the film. I liked the score, I liked the settings, I enjoyed it all. I think it’s well worth the price of admission and the time spent in the seat. ----------------------------------------------- What's the sense in working hard if you never get to play? | |||
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I swear I had something for this |
Got to see it on Friday on a IMAX with Laser screen. It was an excellent film, although the first 20 minutes is a little rough with jumping around time periods, but settles down afterwards. To answer some previous questions, yes the movie does show Oppenheimer inject an apple with cyanide to kill a professor that wouldn't let him see a seminar by Neils Bohr. There was not a large amount of nudity or sex in the film, although one is about 5 seconds long through the point of view of Kitty Oppenheimer during the security clearance hearing with the board going over the affair Oppenheimer had with Jean Tatlock. The film dived in a little bit on Tatlock's "suicide" on if she did kill herself because Oppenheimer couldn't see her any more because of his wife and the unnamed Manhattan Project or if she was killed by some 3 letter government agency. It left it a mystery and Oppenheimer didn't take the news very well. It also dived into his relationship with Haakon Chevalier and Chevalier's attempts to try and get Oppenheimer to pass nuclear information to the USSR and that Oppenheimer reported the attempt, but didn't name Chevalier until after the war. The Trinity detonation was quite beautiful and in a couple of spots further in the movie, Oppenheimer has PTSD-eque images of a nuclear blast going off near him along with him visualizing a burntout human husk and people going through radiation sickness. That's the closest the movie got to a "horror movie," but considering the pussification of the Western World anything resembling reality could lead to a snowflake being "triggered." In regards to a comment that someone made wanting to see actual test footage of Trinity used in the movie, I can 100% verify that the most cleaned up version of the Trinity test footage there is from the latest edition of Trinity and Beyond would have looked terrible and have no where near the resolution that the rest of the film has and would look especially bad on IMAX 70mm which most of the film was shot on. Moving onto the McCarthy Red Scare, it was in the movie but it wasn't belabored or stretched out into a political statement, but was used by Lewis Strauss to exact revenge for Oppenheimer making him look bad which comes back to bite him in his Senate Confirmation Hearing. Overall, I loved it. This is a movie that should be seen in the theaters, but be very selective on where you see it. This video goes into a bit more detail on that: My local theater has an IMAX With Laser screen and was one of the original IMAX theaters so it has a full sized IMAX screen and saw it at full IMAX screen size if not resolution. Since it's also a Christopher Nolan movie and an entire film cannot be shot on IMAX because the camera system is as loud as a lawnmower, you will flip back and forth between aspect ratios on a full sized IMAX screen. If you don't want to deal with that, there are several theaters showing the movie in 70mm that's cropped at 2.40:1 for the whole show, but you'll lose image at the top and bottom. | |||
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Caribou gorn |
I thought it was very dry and overly long. It seemed to me that Nolan tried to make two different films and then mash them together. Either could have been a good film. #1 would be a biopic of Oppenheimer showing his life and his work pre-, during, and post- Manhattan. That would include all of the political intrigue and backstabbing. #2 would be a film akin to the Imitation Game which simply takes an amazing achievement and tells the story of it's fulfillment. Mainly, I felt like there was too much of #2 in #1. It could be vice versa, but #1, imo, makes for a better story. A taut 2 hours of #1 could have been a really great film. I'm gonna vote for the funniest frog with the loudest croak on the highest log. | |||
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Peace through superior firepower |
Every ticket you buy is a breath for a monster that really and truly needs to die. Hollywood is on the ropes. A boycott is called for. On top of all that, I can't remember when was the last time I was influenced by all the hype and promotion to go see a "blockbuster" film. As a mater of fact, non-stop promotion of a film is far more likely to make me avoid it until I can see it for free on cable, if I bother with it at all. They're trying to get people back into the theaters. Don't go. Wait a year or eighteen months and you'll be able to see it for nothing more than a cable bill you're already paying. | |||
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Member |
Couldn’t disagree more. That is all dependent on what you have at home. I’ve got Dolby Cinema at home with a proper MLP, screen size, subs, name it. The cineplexes forced this by not enforcing a policy of no phone use in the theaters. That and they started serving “wangs” and every got damn thing else food wise for full meals, with appetizers, full size pizzas, just to add some rocket fuel to the fire. Agree with you on the selective part. I’m extremely selective on where I see films. In my HT only with no interruptions from dipshits. No $20 ticket cost either. Any film is on 4k disc in around 90 days from theatrical release. Oppenheimer will be on disc October, so that’s 3 months from theatrical release. I’ve seen his films in the cineplex prior (quit going in 2019) then seen them on 4k disc and if you have DV and proper sound (Nolan only mixes in 5.1) his films look just as good at home and they can sound infinitely better. What am I doing? I'm talking to an empty telephone | |||
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I swear I had something for this |
So you have a screen that's 58 feet by 33 feet? As much as you whine and cry about going to theaters and your "just as good system" at home, it lacks something that certain theaters have that you don't: Scale. It's also why a 3 hour R rated film is on track to make nearly $1 billion worldwide. You also seem to think that apartment dwellers can also get a "just as good" home theater system without getting in trouble from their landlords (and all soundbars that aren't a Sennheiser Ambeo or a Nakamichi Dragon are trash). Then again, maybe everyone else should eat cake like Marie Antoinette said.
I disagree on that as that would be more of a typical Hollywood film stopping at Trinity. I rather enjoy going into the fallout (pun kind of intended) that's caused from something so groundbreaking. It's a bit like Tombstone where most Hollywood films stop at the OK Corral when it was actually the "point of no return" for the Earps and their Vendetta ride against the Clanton gang. It's also why I'm extremely excited that Denis Villeneuve is going to make Dune Messiah. I would say the movie would have been better if it didn't jump back and forth in the timeline like it does, but we can't get everything. | |||
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