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bigger government = smaller citizen |
Agree or disagree, I have a few new (to me) movies to watch. Para? Care to add any others to the list? Language NSFW. “The urge to save humanity is almost always only a false-face for the urge to rule it.”—H.L. Mencken | ||
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Peace through superior firepower |
Add? No. That list is a real mess. When I refer to Westerns I am talking about feature films. He's got episodic, commercial television in there. Anything cut up by commercials is null and void, and when referring to episodic TV series, which episodes? All of them? If so, that means someone is a real fan of a series and they're not being objective, because most series have some poor episodes. Spaghetti Westerns? Not my thing. Yes, blasphemy to some that I don't genuflect at the altar of Leone, but I cannot stand dubbed dialogue in which it is clear actors are speaking in another language. Also, the locations are usually clearly not the actual American West and that's out for me. The actors look like Europeans, because for the most part, they are. The costumes, the sets- all of it is a little off, and I don't like it. I've seen plenty of these films, but... Corbucci? Acid Westerns? Puhleeze. How pretentious. It's the Tarantino influence taken up by pedantic film snobs. I'll provide you with a list of films which represent the American Western (the only kind of western, really). Hell on Wheels? Really I didn't watch the last couple of seasons of it, but what I saw was poorly written and even more poorly directed. Deadwood is superb, but the rest of his list- yuck. After TV started to take off in the early 1950s, some film production companies adopted the same high-key, flat lighting for expediency, and there is a whole lot of these 1950 black and white Westerns which are visually dreary, and that's putting it mildly. The writing, the direction, the acting, all usually pedestrian, predictable and not worth my time. These are the kinds of films playing in the waiting room in Hell, right after you get off the elevator and are waiting to be processed. He's got some of that stuff on his list. Pale Rider is an acceptable film but I don't care for the distinct Spaghetti Western flavor which resulted from Eastwood's relationship to the Leone films. Here's a list films which show the best of the genre- in my opinion, of course. Not in any particular order except in how they come to mind as I'm typing this. The great John Ford Sam Peckinpah That second one requires qualification. After Peckinpah completed the film, the studio re-edited and Peckinpah asked for his name to be taken off of it. Honestly, I don't know if the film as it's being aired these days is what the studio had in mind, or Peckinpah. I think it's the latter. All I can tell you is that in its present form this is a great film and would be on a top ten list of Westerns for me. This film does something to me. I'm certain it has to do at least in part with the fact that it was produced in the early 1970s- a vivid time for me as a fledgling film buff. The Budd Boetticher / Randolph Scott Westerns - the best of the 1950s Westerns Western film noir- I tell people that noir westerns are illustrative of the fact that film noir is a style, not a genre. For these last two films, the genre is Western; the style is film noir. Oh, and how could I forget? The definitive word on the American Western: It's appropriate that Eastwood's finest western- and one of the greatest American films of any genre- should come in the last decade of the 20th Century. The antithesis of Kasdan's Silverado (which is highly enjoyable), Unforgiven succeeds in portraying the old West the way it likely was. There are no heroes in the film, almost no humor, and the ending is bleak. Does Unforgiven leave you feeling melancholy? Then Eastwood and writer David Peoples have accomplished their goal. | |||
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Member |
I love westerns and the more realistic the better, but I also enjoy Spaghetti Westerns. I see them as I see the old Kung Fu movies I watched as a kid in the 70's. A fantasy land where exaggerated stereotypes are capable of super human levels of gun and hand to hand combat. I don't even mind the cheesy overdubs, it's what I expect out of these parallel world kind of movies. On the other hand, I strongly dislike the westerns that pretend to be serious and are full of anachronisms, unrealistic for the time period dialogue, clothing and weapons. As much as I love John Wayne movies, they were some of the worst offenders in that regard. If I made a list, I'd make Spaghetti Westerns a sub genre. No one's life, liberty or property is safe while the legislature is in session.- Mark Twain | |||
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Member |
Ulzanas Raid and The Professionals should be included in any list. And The Oxbow Incident. End of Earth: 2 Miles Upper Peninsula: 4 Miles | |||
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Get Off My Lawn |
Sorry to say, Razorfist's and my list do not match in the slightest. My list: The Searchers Unforgiven The Man Who Shot Liberty Valance Stagecoach Butch Cassidy & the Sundance Kid Shane The Magnificent Seven The Ox Bow Incident Red River 3:10 to Yuma (w/Glenn Ford) "I’m not going to read Time Magazine, I’m not going to read Newsweek, I’m not going to read any of these magazines; I mean, because they have too much to lose by printing the truth"- Bob Dylan, 1965 | |||
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Peace through superior firepower |
That's an odd thing to say, considering all of this is a matter of opinion and taste. Feel free to make your own list. Westerns with clear political messages lose points with me. I don't want to be preached at. Save it for the Sunday pulpit. | |||
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Peace through superior firepower |
Of course, and shame on me for not including it with the two Ford westerns I listed. When this film was released the critics panned it, in part because it was shot almost entirely on studio lots, but now it's considered a classic, and I wouldn't change a single thing about it. | |||
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Member |
Additions & Omissions not necessarily top 10 but entertaining. Blazing Saddles High Noon Appaloosa, "That happened quick" "Everybody could shoot" Plus a lot of other great lines. Little Big Man True Grit, either one The Revenant Not Grizzley Adams as I previously listed, Jeremiah Johnson is what I was going for. | |||
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Member |
Para, Two Peckinpahs but not the Wild Bunch? | |||
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Peace through superior firepower |
Yes, Appaloosa is a good old-fashioned western, except that I found Renee Zelwegger really, REALLY annoying in this film. The politics- the overt comparison to US involvement in Vietnam. There are parts of the film I like but as I said, I don't like clear political messages in my westerns. William Wyler intended for his political allegory to come through in The Big Country but he failed in this regard, as illustrated by the fact that President Eisenhower loved this film, and he was one of the people Wyler was shooting at. So, this film makes the cut for me. | |||
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Caribou gorn |
Any list that doesn't have The Searchers at #1 is suspect. Not having it at all is laughable. In no order, my favorites are: The Searchers The Man Who Shot Liberty Valance The Wild Bunch The Outlaw Josey Wales Unforgiven Shane Rio Bravo Tombstone High Noon Well that's 9 and then it gets tough to finish it off, depending on how you choose to classify some films. Some contenders would be The Shootist, Dances with Wolves, Hell or High Water, Wind River, Legends of the Fall, All the Pretty Horses, True Grit (2010), Jeremiah Johnson, The Assassination of Jesse James by the Coward Robert Ford and Lonesome Dove (miniseries). I'm gonna vote for the funniest frog with the loudest croak on the highest log. | |||
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Peace through superior firepower |
Oh, damn, how could I forget about Rio Bravo? Heresy! In my defense, I was posting from memory, but, yes, Rio Bravo is a top ten western for me. | |||
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On the wrong side of the Mobius strip |
Para, would you include The Grey Fox on your list? I know that in a previous thread you had started, you mentioned it was of the Northwestern genre. | |||
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Member |
And I will add: My Darling Clementine. And The Shootist. End of Earth: 2 Miles Upper Peninsula: 4 Miles | |||
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Peace through superior firepower |
The thing for me about The Shootist is that the ending of the film and the ending of the book are radically different in one respect. Once you start reading the books these films are made from, it can really change your perspective on the films, and that's the case for me of the The Shootist. I think some members might be shocked at the ending of the book. ____________________________________________________ "I am your retribution." - Donald Trump, speech at CPAC, March 4, 2023 | |||
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Peace through superior firepower |
I hesitate to call it a western, despite having many of the trappings of the genre. I don't really consider it a western for the same reason Quigley Down Under is not a Western: it doesn't take place in the American West. But, as a film outside of generic classification, it's a gem: The Grey Fox Page 2 of that thread discusses the film's actual classification. | |||
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Get Off My Lawn |
I would have no problem of revising my list and just include John Wayne films (I have four in mine), including Rio Bravo, El Dorado, Fort Apache, She Wore A Yellow Ribbon, True Grit, and Rio Grande. His films are just so damned entertaining and watchable. "I’m not going to read Time Magazine, I’m not going to read Newsweek, I’m not going to read any of these magazines; I mean, because they have too much to lose by printing the truth"- Bob Dylan, 1965 | |||
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Member |
A lot of people consider Bad Day At Black Rock to be a Western. I am a Spencer Tracy / Robert Ryan fan but have a hard time including this film as a true Western. And I have read Swarthouts book and from what I understand, John Wayne insisted on changing the ending. I wont be a spoiler and reveal it, but the book is much bleaker in tone and J.B. Books came off as being more ruthless than Wayne portrayed him. End of Earth: 2 Miles Upper Peninsula: 4 Miles | |||
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Member |
Zellweger is annoying and my wife won't watch it because of her. Never read the Robert Parker novel but the dialog between Ed Harris and Viggo Mortensen is excellent. The Big Country has some great speechifying from Burl Ives along with a superb score from Jerome Moross. Big Country and The Magnificent Seven, (another great score), were recently released in 4K. Nice. | |||
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bigger government = smaller citizen |
Thank you! I wasn't 100% sure you'd have a bone to pick with it, but I knew I'd get some excellent info from the western fans here. “The urge to save humanity is almost always only a false-face for the urge to rule it.”—H.L. Mencken | |||
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