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Purveyor of Fine Avatars ![]() |
You may be forgetting Rising Sun or Ender's Game. "I'm yet another resource-consuming kid in an overpopulated planet raised to an alarming extent by Hollywood and Madison Avenue, poised with my cynical and alienated peers to take over the world when you're old and weak!" - Calvin, "Calvin & Hobbes" | |||
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Eye on the Silver Lining |
Cloud atlas. I think it might be one of the only movies I liked where they change the ending from the book - or at least made it such that I could make sense out of it. __________________________ "Trust, but verify." | |||
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Lighthouse Keeper |
The Remington character was fabricated for the film, inspired partly by a real person who is barely mentioned in books on the subject. Douglas was a producer on the film and had the script re-written to make the amalgamation “Remington” role much bigger, took the role for himself, then forced edits to make his part bigger. He’s a tool, and the character very nearly ruined an otherwise good movie. I loved the story before the film was released, and I loved the film in spite of Michael Douglas. | |||
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So let it be written, so let it be done... ![]() |
The Return Of The King No Scouring of the Shire... ![]() 'veritas non verba magistri' | |||
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Member |
In high school kids often chose to watch the movie rather than read the book. You looked pretty stupid whent the teacher called you out on it, | |||
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Evil Asian Member |
I thought Leland survived—he was being wheeled into the ambulance at the end. And, the terrorist is named Gruber: Anton Gruber. He's not named Hans. This was all influenced by The Towering Inferno. Roderick Thorp saw that movie, and that night he had a nightmare about being chased through a burning skyscraper by bad guys. He woke up and wrote the follow-up to his The Detective novel. John McTiernen didn't want to direct the Nothing Lasts Forever movie because it was too dark and cynical. They changed the dynamics to make it more crowd-pleasing, such as making the terrorists into bond thieves. I liked those cynical aspects. For instance, the daughter dies because of the fancy watch she got, signifying her corporate greed is what got her killed, unlike the watch falling off in the movie. Also, at the end, Sgt. Powell throws the a-hole deputy police chief into the line of fire, killing the chief and shielding Leland from Karl's gunfire. Then he states, "Well, he died a hero." That's a hilariously twisted scene that wouldn't have flown if enacted by Reginald VelJohnson's character. | |||
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Official Space Nerd![]() |
We Were Soldiers. I thought it was an amazing war movie. Then I read the book. Mind, this is NOT fiction; this is based on real events in Vietnam. In the movie, they charge the enemy, over-run the enemy stronghold, and win a resounding victory. Hurray for us, drinks all around. IN REAL LIFE, they won the battle the first day, but while they were marching out at night for their exfiltration (to return to base), they are ambushed by the VC and almost wiped out. The Americans came NOWHERE near the enemy base. It was NOT a resounding victory. It was extremely depressing, as our 'win' during the day was cancelled out by the VC win at night. I was so disgusted with them that they would so blatantly peddle falsehoods and lies. Let the story be told AS IT HAPPENED or don't tell it at all. Fear God and Dread Nought Admiral of the Fleet Sir Jacky Fisher | |||
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Hop head ![]() |
been a bit since I read the book, but the ending of the Shining was different , the book did not have the hedge maze, it was a bunch of hedge bushes trimmed like animals or some such, https://chandlersfirearms.com/chesterfield-armament/ | |||
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Fighting the good fight![]() |
Agreed. Such an amazing book (and the full cast unabridged version of the audiobook is even better), utterly disgraced by such a terrible film. World War Z is one of my favorite books of all time. It's more than just a "zombie novel". It's an anthology that uses the fiction of a zombie apocalypse to touch on all sorts of different topics, from military to psychology to economics to logistics to politics to philosophy to religion to human nature. But the author could have easily substituted any widespread natural disaster or terrorist attack and ended up with a similar end result. | |||
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Get Off My Lawn![]() |
Last night, I came across my old copy of Mario Puzo's novel The Godfather which I purchased at the time I bought the movie on laserdisc. I skimmed through the end and started to remember the details in the book which never made it on screen. But the ending in the film did not include whole scenes from the book; the film ends with Michael telling his wife Kay that he had nothing to do with Carlo's death and she's relieved, but likely figures out he was lying when Neri closes the door on her while Clemenza and Rocco kiss Michael's hand in tribute. In the book, she not only knows the lie, but leaves Michael, but is talked out of it by Tom Hagan, who convinces her that killing Carlo was the right thing to do. "I’m not going to read Time Magazine, I’m not going to read Newsweek, I’m not going to read any of these magazines; I mean, because they have too much to lose by printing the truth"- Bob Dylan, 1965 | |||
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The Joy Maker![]() |
If you're going to see a Mel Gibson movie to learn history you're gonna have a bad time. Good movies, bad history lessons. ![]()
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