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stupid beyond all belief |
Thanks all for the input! What man is a man that does not make the world better. -Balian of Ibelin Only boring people get bored. - Ruth Burke | |||
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Member |
I used to be a Prime Only shooter, because when I started out using some serious cameras in the 70's about the only zoom made with a reputation for acceptable image quality was Nikon's 80-200 f4.5. Having experimented with a 35-105 Tamron and a 35-105 Nikkor AF in the 80's I found both lenses lacking in sharpness. What changed my mind was the 18-85mm kit lens that was part of the package when the D70 first hit the market. On that D70 it was a very good performer. Later on when I got a D300 I found it even more impressive than on the D70 cue to the higher reolution of the D300. I also did some comparisons and that 18-85 was sharper than my 28mm f2.8 AF Nikkor, my 50mm f1.4 AF Nikkor, and a match for my 85mm f1.8 Nikkor. Downside is it didn't have VR and after learning the value of VR with a 70-300mm VR Nikkor I picked up the 18-105mm VR Nikkor. That 18-105 was the equal of the 18-85 when mounted on a tripod and hand held put the 18-85 to shame in reduced lighting. Hey, I'm in my 60's now so a bit of shake is sadly normal. More recently I stepped up to Full Frame with the D750 when they had a "Kit Package" deal that included the 25-120 VR Nikkor and this lense is rather stunning. I actually snapped a pic of a cousin water skiing past the boathouse I was standing with her about 120 yards off shore. When I got home after my vacation I decided to do some cropping of that snap and and cropping down to about 1/4 to 1/3 of the full frame produced an image that was quite acceptable. Basically that 120mm focal length stood up to a 3X or bit more of "digital zoom" while producing image quality suitable for a good looking 8x10. Sum it up and many of today's zooms are capable of image quality that matches or even exceeds many Primes some consider "the best". The only thing these zooms cannot match is the limited depth of focus that can be produced by lenses such as the 50mm f1.2 or 1.4. However having spent a lot of time reading Ansel Adams many books and under a cloth using a 4x5 monorail I'm not really a fan of wide aperture imagery. I've stopped counting. | |||
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Spiritually Imperfect |
If Canon, get the 24-105 f/4 USM as previously mentioned, and keep it at f/4.0 when you can. This is my go-to setup with my C100, and it is wonderful. | |||
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Baroque Bloke |
I agree. And GaryBF makes excellent photos. Serious about crackers | |||
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Little ray of sunshine |
I didn't know that. My information about video cameras was out of date. The fish is mute, expressionless. The fish doesn't think because the fish knows everything. | |||
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